{"id":48901,"date":"2018-09-28T14:00:00","date_gmt":"2018-09-28T12:00:00","guid":{"rendered":"https:\/\/www1.romereports.com\/2018\/09\/28\/spectacular-a-capela-choir-who-sang-for-pope-francis-in-lithuania\/"},"modified":"2018-09-28T14:00:00","modified_gmt":"2018-09-28T12:00:00","slug":"spectacular-a-capela-choir-who-sang-for-pope-francis-in-lithuania","status":"publish","type":"post","link":"https:\/\/www.romereports.com\/en\/2018\/09\/28\/spectacular-a-capela-choir-who-sang-for-pope-francis-in-lithuania\/","title":{"rendered":"Spectacular \u201ca capela\u201d choir who sang for Pope Francis in Lithuania"},"content":{"rendered":"<p>It is the choir of the Shrine of the Divine Mercy and for the last five years they have been singing songs such as \u201ca capela,\u201d \u201ckanti\u010dkos,\u201d or popular Lithuanian melodies.<\/p>\n<p>There are eight people in the choir, but one of its singers fell ill and could not sing to Pope Francis during his meeting with young people in Vilnius.&nbsp;<\/p>\n<p>Their melodies are a combination of Gregorian choral music and contemporary sacred music.&nbsp;<\/p>\n<p>They explained that the meaning of this song was \u201cto seek forgiveness from Jesus.\u201d The melody reflects the sound of traditional Lithuanian songs called \u201csutartines,\u201d a form of polyphonic music sung by women.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>September 28, 2018. They had to sing without one of their singers because they got sick.<\/p>\n","protected":false},"author":0,"featured_media":27742,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[192],"tags":[],"acf":{"video":"https:\/\/youtu.be\/2HdH8lVRUog","video_descarga":"http:\/\/attuale.romereports.com\/news\/bnccorovilnus.mp4","international_url":"http:\/\/attuale.romereports.com\/news\/bnccorovilnus.mp4","type":"rrp","newsletter":"si"},"_links":{"self":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts\/48901"}],"collection":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/comments?post=48901"}],"version-history":[{"count":0,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts\/48901\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/media\/27742"}],"wp:attachment":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/media?parent=48901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/categories?post=48901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/tags?post=48901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}