{"id":49723,"date":"2018-02-02T15:00:00","date_gmt":"2018-02-02T14:00:00","guid":{"rendered":"https:\/\/www1.romereports.com\/2018\/02\/02\/before-she-could-talk-camila-holanda-was-singing-for-mary\/"},"modified":"2018-02-02T15:00:00","modified_gmt":"2018-02-02T14:00:00","slug":"before-she-could-talk-camila-holanda-was-singing-for-mary","status":"publish","type":"post","link":"https:\/\/www.romereports.com\/en\/2018\/02\/02\/before-she-could-talk-camila-holanda-was-singing-for-mary\/","title":{"rendered":"Before she could talk, Camila Holanda was singing for Mary"},"content":{"rendered":"<p>Before she could speak well, Camila Holanda was singing songs. These weren't nursery rhymes, however, but rather odes to Mary.&nbsp;<\/p>\n<p>What began under her grandmother's direction when Holanda was two years old has now blossomed into a professional music career whose purpose has never faltered.<\/p>\n<p><strong>CAMILA HOLANDA<br \/>\nSinger-Songwriter<\/strong><br \/>\n<em>\u201cMy goal is the same always \u2013 to touch and lead many young people closer to God and Mary.\u201d<\/em><\/p>\n<p>In 2015, the Brazilian singer-songwriter released her debut album at the age of 15. The project contains 11 tracks, both original and covers. With titles such as \u201cQueen Mother\u201d and \u201cFrom Son to Mother,\u201d Marian devotion permeates Holanda's discography. This stems, she says, from Jesus and Mary's role as the \u201ccenter of [her] life.\u201d<\/p>\n<p>Holanda hopes to share this foundation with anyone willing to listen, wherever he or she may be.&nbsp;<\/p>\n<p><strong>CAMILA HOLANDA<br \/>\nSinger-Songwriter<\/strong><br \/>\n<em>\u201cI feel that through my music hearts are touched. I've listened to many stories from people all over the world telling me that when they listen to my music, they feel the presence of Mary.\u201d<\/em><\/p>\n<p>In her upcoming single entitled \u201cSafe Place,\u201d Camila Holanda continues to do what she's done nearly her entire life \u2013 vocally express the safety of the Blessed Mother's open arms.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>February 2, 2018. Devotion to the Blessed Mother permeates the Brazilian's music.<\/p>\n","protected":false},"author":0,"featured_media":24057,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[192],"tags":[],"acf":{"video":"https:\/\/youtu.be\/86wnDB7FOBc","video_descarga":"http:\/\/attuale.romereports.com\/news\/bcamilaholandaeng.mp4","international_url":"http:\/\/attuale.romereports.com\/news\/bcamilaholandaint.mp4","type":"bn","newsletter":"si"},"_links":{"self":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts\/49723"}],"collection":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/comments?post=49723"}],"version-history":[{"count":0,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts\/49723\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/media\/24057"}],"wp:attachment":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/media?parent=49723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/categories?post=49723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/tags?post=49723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}