It's a film that sheds light on bordering nations and the walls that separate them.\u00a0<\/p>\n
\u00a0'I don't forget a face. I promise you. If I see you again, I will arrest you and you will sleep in jail.\u00e2?\u009d<\/p>\n
Filmed in four continents, the film titled 'Walls' presents eight personal stories of people who are directly affected by a physical barrier. A wall that inevitably results in an inner barrier as well.\u00a0<\/p>\n
'My children are on the other side. That is my obstacle: The wall.\u00e2?\u009d\u00a0<\/p>\n
It's a universal theme, that's lived locally. The film includes the wall between the U.S and Mexico, Zimbabwe and South Africa, India and Bangladesh and Spain with Morocco.\u00a0<\/p>\n
'It doesn't stop a movement. People are going to move. We are all going to move. We are all human beings. We all came from somewhere. So it's like a survival game.\u00e2?\u009d<\/p>\n
'We are the mice and they are the cats.\u00e2?\u009d\u00a0<\/p>\n
'We have dreams and they have hopes, like everyone else. We all share the same basic emotions no matter where you are.\u00e2?\u009d<\/p>\n
The film is produced by Arena Comunicaci\u00f3n and is directed by Pablo Iraburu and Migueltxo Molina. More than taking sides or pushing a political agenda, they say it's simply about showing a reality that's lived in different parts of the globe.\u00a0<\/p>\n
KLH\u00a0
\nArena Comunicacion
\nSV
\nPR
\nUp: IPC<\/p>\n","protected":false},"excerpt":{"rendered":"
November 14, 2015. The film crew traveled to four continents to share eight different perspectives. ;<\/p>\n","protected":false},"author":0,"featured_media":34033,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187],"tags":[],"acf":{"video":"http:\/\/youtu.be\/It3GljNsT-M","video_descarga":"http:\/\/attuale.romereports.com\/news\/","international_url":"http:\/\/romereports.com.edgesuite.net\/news\/bbordersint.mov","type":"rrp","newsletter":"si"},"_links":{"self":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts\/54758"}],"collection":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/comments?post=54758"}],"version-history":[{"count":0,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts\/54758\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/media\/34033"}],"wp:attachment":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/media?parent=54758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/categories?post=54758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/tags?post=54758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}