{"id":60096,"date":"2023-09-03T12:06:13","date_gmt":"2023-09-03T10:06:13","guid":{"rendered":"https:\/\/www.romereports.com\/?p=60096"},"modified":"2023-09-03T12:12:15","modified_gmt":"2023-09-03T10:12:15","slug":"the-horse-charmer-traditional-mongolian-instrument-used-to-play-for-pope-francis","status":"publish","type":"post","link":"https:\/\/www.romereports.com\/en\/2023\/09\/03\/the-horse-charmer-traditional-mongolian-instrument-used-to-play-for-pope-francis\/","title":{"rendered":"The 'horse charmer': traditional Mongolian instrument used to play for Pope Francis"},"content":{"rendered":"\n<p>A few minutes before the beginning of the ecumenical meeting, Pope Francis and other religious leaders enjoyed a traditional Mongolian musical performance.<\/p>\n\n\n\n<p>The instrument played by the Mongolian artist has a long history, and was recognized in 2008 as an Intangible Cultural Heritage of Humanity by UNESCO.<\/p>\n\n\n\n<p>It has several names. Officially known as Morin juur, it is also called 'two-stringed violin' or 'horse charmer.' The latter is derived from the close relationship that the nomadic people of Mongolia have had with horses\u2014a very important animal in their culture.<\/p>\n\n\n\n<p>It is made up of a box with an outline of a square shape, two strings of horse tail hair and the end of the neck is adorned with the sculpted head of the same animal.<\/p>\n\n\n\n<p>CA<br>TR: KG<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A few minutes before the beginning of the ecumenical meeting, Pope Francis and other religious leaders enjoyed a traditional Mongolian musical performance.<\/p>\n","protected":false},"author":758,"featured_media":60093,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,27,153],"tags":[],"acf":{"video":"https:\/\/youtu.be\/c9fay8o-T9c","video_descarga":"https:\/\/attuale.romereports.com\/news\/bncmusicaincontro.mp4","international_url":"https:\/\/attuale.romereports.com\/news\/bncmusicaincontro.mp4","type":"bn","newsletter":"si"},"_links":{"self":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts\/60096"}],"collection":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/users\/758"}],"replies":[{"embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/comments?post=60096"}],"version-history":[{"count":2,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts\/60096\/revisions"}],"predecessor-version":[{"id":60098,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/posts\/60096\/revisions\/60098"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/media\/60093"}],"wp:attachment":[{"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/media?parent=60096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/categories?post=60096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.romereports.com\/en\/wp-json\/wp\/v2\/tags?post=60096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}